Introduction to Wine, part II: flavour components and terms

In the first instalment of “Introduction to Wine”, I discussed the process of trying a wine for the first time. These steps including looking at the wine’s colour and viscosity, taking in all of the aromas that the wine has to offer, and the way to best experience the entire flavour profile of the wine.

Today, though, I’m going to shift the focus to some terminology that is used when discussing wine (primarily about its tastes), and the different flavour components that come together resulting in the overall profile of the wine. Firstly, there are five basic categories into which tastes can be separated: sweetness, saltiness, bitterness, sourness, and umami. Out of those tastes, four of them readily illicit in your mind different foods or drinks. The last category, umami, however, might not be as familiar to you. Just for sake of completeness, umami refers to richness, savouriness, or even meatiness. Anyway, umami is not generally a flavour component in wine, so we won’t focus on it too much.

Out of the four remaining taste categories, the one that most prominently stands out in wine is sweetness. Sweetness is really due to the amount of residual sugars in the wine after the fermentation process. Conversely, the lack of sweetness is generally referred to as the “dryness” of the wine. Though sweetness (or lack thereof) is arguably the basic taste that is most associated with wine, wines can also have some saltiness (or “salinity”) based on their growing region, bitterness (generally caused by tannic acid, or “tannins”), and sourness. It is important to note that bitter does not necessarily mean astringent, and is not always considered a negative term (though in other facets, “bitterness” generally connotes negatively). Some wines have a significantly bitter flavour, but that adds to the overall profile.

There are three broad components to a wine’s taste and feel, and they are 1) tannin, 2) acidity, and 3) body. I know, I know, you’re thinking “wow, there are a lot of other components to a wine,” and you’re certainly correct. For the sake of simplicity, I’ve found that these three broad categories will help one further refine his or her descriptors about a wine. As such, here are some basic definitions of each term:

  • Tannin – the level of tannic acid in a wine. This acid is found in the skin of the grapes, and is prominent in some red wines. The tannins are higher when the maceration process (leaving the juice in contact with the skins) is longer. Tannin really refers to a feel (not a taste), and the higher tannins, the more rough and clingy it feels in your mouth, and the more of a drying sensation it has.
  • Acidity – the component (sometimes assumed to be sourness) that provides a refreshing, energetic taste. Too much acidity results in a wine that tastes tart.
  • Body – the body (or “mouth feel”) is the weight or viscosity of the wine. A full-bodied wine is one that has a higher viscosity, and is, therefore, thicker or more highly resistant to flow.

One other term that is related to these three broad components is “structure,” which refers to the combination of tannins and acidity. As such, the structure of a wine is one of the most commonly discussed aspects at a tasting.

Wine maceration process
Wine maceration process

You may be asking yourself why these different types of terms are necessary, or how they directly apply to enjoying a wine. I have found that being able to more readily recognise these different basic taste categories, and the three broad flavour components mentioned above allows me to hone in on the exact characteristics of wines that I find appealing. Better yet, knowing these different components will allow you to pair the right wines with the right types of foods. For instance, if you have a red wine that is highly tannic and somewhat bitter, you can pair that with a salty dish and the two flavours will even out in order to produce a mellow and somewhat earthy overall sensation.

I hope that you’ve found this information helpful, and will take it into consideration the next time that you have a glass of wine.

Cheers,
Zach

Losing weight versus doughnut

A few days back, my friend John sent me an email that said “So I see that you had free time to browse and post to Reddit.” I was a little confused by his email, because I haven’t been on Reddit in a very long time. However, after seeing the image that he linked, I almost fell out of my chair laughing.

On the one hand I need to lose weight, on the other hand doughnut

I believe that I’ve had that exact argument with myself on several occasions. I love doughnuts, but they aren’t exactly the best food for maintaining a nice midsection. 😉

Cheers,
Zach

Hurt – The Crux review

Hurt is a band that I’ve enjoyed for many years, due primarily to the nuances that they often bring to the sometimes overly-done genre of hard rock. J. Loren Wince (the lead vocalist) plays a violin in many of Hurt’s songs, and that is an amazing sound when coupled with the steady, low-end crunch of guitars and bass. They released their new album, The Crux on 01 May 2012. I’ve listened to it quite a few times now, and think it’s time for a full review.

Hurt - The Crux album cover

1. So When6 / 10
The opening track starts with a nice piano part, and seems to continue down the path set by their previous album, Goodbye to the Machine. The vocals drag a little bit, especially compared to the speed of the guitars and the violin subtleties. The latter portion of the song feels a little bit like a jam session.

2. Eden7 / 10
The lyrics in the chorus, which are “It was the only time that Eden wasn’t far away from me,” are reminescent of the downcast nature of their past albums. Musically, however, the song sounds like it is trying to be dark, but still seems a bit bubbly. I really like the haunting bridge that builds up and leads into a little instrumental section, immediately followed by the final chorus.

3. Links & Waves4 / 10
As a brief musical interlude, this track provides a bit of closure to Eden. It’s a nice little supplement, but I think that it probably just should have been tacked onto the end of the previous track.

4. Sally Slips2 / 10
The bass and guitars play off of each other really nicely during the verses, and the vocals are subtly strewn about. The chorus has significantly stronger vocals, which corresponds nicely with the verses. However, this song falls REALLY flat due to the repetition. Honestly, I’m a bit shocked that this track made the cut during selection for the album.

5. When It’s Cold10 / 10
This song hits hard from the very start, and musically, it is very much a continuation of the chorus of Wars. Right when it starts, I thought of the line “I think of all the days in my life / where I could have done something more.” The chorus is strong, the verses are stronger, and the lyrics are raw, passionate, and real. This track is one of the highlights of the album.

6. adonai10 / 10
Starting with just some basic drums, and slowly building into a verse questioning religion and faith in an existential manner. Adonai being a Hebrew name for YHWH or God, the whole track directly calls into question the horrible atrocities of the world coexisting with a God that is love. This song is musically striking, (especially with J. Loren Wince’s violen part during the bridge), and lyrically both sharp and thought-provoking. Easily the most powerful track on The Crux, and reminescent of Hurt’s older works. Simply outstanding!

7. Caught in the Rain6 / 10
Combining soft piano and some violin parts in the beginning, Caught in the Rain almost has a pop-rock feel to it. The song really paints a vivid picture of the story that it tells. The pain portrayed in the lyrics really seems to clash with the sound, though. The guitar solo especially sounds a bit out of place, though it is nicely executed.

8. Cuffed6 / 10
Great guitar work in the very beginning–a sound that reminds me of some earlier songs by Staind. The rest of the song is a lot like the tracks on their last album, Goodbye to the Machine. I would have liked the vocals to stand out a little more than they did; the lyrics were a bit difficult to understand because of the muddiness of the mix.

9. How We end up Alone9 / 10
Though this track also sounds a bit like the themes presented throughout Goodbye to the Machine, How We end up Alone is more reminescent of the sounds of Hurt’s earlier albums I and II, which is a welcome change from a lot of the other tracks on this album. It is heavier-hitting, with amazing use of the violin in the background. This song would generate a lot of energy during a live show; I only wish it was a bit longer. I can’t review this song without mentioning the amazing line of “I gave her my youth just to make me the proof / That’s how we end up alone.”

10. Numbers4 / 10
The verses seem crudely juxtaposed with the vocals, but it smooths out during the chorus. The guitarists and bassist seem to be each doing their own thing, and it doesn’t really meld all that well. At times, it sounds like this song was recorded in stages, and then stitched together during post-production.

11. The Seer7 / 10
Not a bad song, but not really what I would expect as the finale of the album. The flow is very much in the style of Hurt in that it progresses slowly and steadily in a way that few other bands are able to replicate, and it does so without becoming dull.

What I have to remind myself is that this a great album when I’m not comparing it to the band’s earlier works (namely, the outstanding collections of The (Re)Consumation, Vol. I, and Vol. II). They are a band that continuously refines their sound, and I greatly appreciate them for it. As with Goodbye to the Machine, The Crux is generally well-rounded, yet left me craving some of the style off their older albums.

71 / 110 = ~65% –> 6.5 stars:

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